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尼诺·罗塔 电影配乐: 费里尼专辑 / 里卡多·夏伊 指挥

Artist: Filarmonica Della Scala & Riccardo Chailly
Title: The Fellini Album
Year Of Release: 2019
Label: Decca Music Group Ltd.
Genre: Classical
Quality: 24bit FLAC [24Bit/96kHz]
Total Time: 01:20:37
Total Size: 1.45 GB
WebSite: Album Preview

写过一百四十馀部电影配乐的尼诺.罗塔,可以说是意大利人的荣耀,他与大导演费里尼(Federico Fellini)长达三十年的合作关係,创造了许许多多的经典作品,如1954年《大路》(La Strada)、1955年《》(Il Bidone)、1956年《》(Nights of Cabiria)、以及1961年《》(La Dolce Vita)等。另外,最为脍炙人口、最为人所称道的,莫过于1972年与导演科波拉(Francis Ford Coppola)合作的的《教父》(The Godfather)以及1974年的《教父2》(The Godfather II),并分别获得了英国影艺学院奖与奥斯卡金像奖的肯定。「教父系列」让尼诺.罗塔两度获奖,也为他不朽的乐坛与影坛地位作了标记。

事实上,尼诺.罗塔的音乐才华不只是表现在电影配乐上,他的创作还包括歌剧、芭蕾舞剧及其他管絃乐作品。他有许多优秀的歌剧作品,像是《Torquemada》、《The Florentine Straw Hat》、《Alladin and His Magic Lamp》等。但因为电影配乐的成就太过耀眼了,大家还是比较注意他在电影史上的丰功伟业。

尼诺.罗塔的电影配乐作品尚包括:1960年与名导演维斯康提(Luchino Visconti)合作的《洛可兄弟》(Rocco e i suoi fratelli),是维斯康提的不朽之作。与费里尼合作的经典影片如1963年《八又二分之一》(8&1/2),是传播科系的指定教材;1965年的《鬼迷茱丽叶》(Giulietta Degli Spiriti),充满义大利的魅力民谣风;1968年与导演(Franco Zeffirelli)合作的《罗密欧与茱丽叶》(Remeo and Juliet),主题曲成为尼诺.罗塔最为人所熟知的情爱作品;1976年的《卡萨诺瓦》(II Casanova di Fellini)等。

指挥家 Riccardo Chailly 的音乐以流畅、简洁的艺术特色为广大乐迷所喜爱,此专辑是他指挥乐团 Filarmonica della Scala 演奏尼诺.罗塔的经典集锦。每一部都是一部感人至深的故事,每一个角色都有其独特迷人的性格,让我们随着 Riccardo Chailly 的指挥进入音乐最精妙的区域。

Together with the Filarmonica della Scala, Riccardo Chailly explores the iconic film scores of Nino Rota in a new collection, The Fellini Album. Slated for release on June 7 to mark 40 years since Rota’s death in April 1979, the album contains music from classic Federico Fellini films that capture the spirit of Italian cinema in the 1950s and 60s. The Fellini Album includes brand new recordings of music from La Dolce Vita, Amarcord, 8 ½, The Clowns and Il Casanova. The Fellini Album is available to pre-order now and will be released on Decca Classics/Universal Music Canada, the country’s leading music company on June 7.

For Rota – undoubtedly the leading composer of Italian film music during the 1950s and 60s – Fellini’s cinematic world allowed him to explore his full creative potential, despite the director’s lack of understanding of music as a creative medium, by his own admission. Rota went on to write the soundtracks for all of Fellini’s films from Lo sceicco bianco (The White Sheikh) to Prova d’orchestra (Orchestra rehearsal). The two men had a working relationship that was, in Fellini’s words, “a convergence of two temperaments, two natures, two creatures who, within their own limits, had no option but to cohabit the film-making process”.

Rota’s compositional style was widely derided by his contemporaries, who considered it devoid of any innate beauty on account of being too closely tied to film music. The composer did not believe in drawing distinctions between different genres, and was more concerned with creating music that entered into a dialogue with the images onscreen rather than being overpowered by them with too much texture and pomp.

Riccardo Chailly first met Rota in 1974 in Lanciano, Italy, when the composer was preparing the young participants in the town’s International Summer Orchestra Course for a performance of Rota’s Piano Concerto in C. Chailly, then only 21, was struck by Rota’s easy-going nature, and recalls an incredibly cultured man with an enormous musical knowledge.

Born in 1953 in Milan, Riccardo Chailly started his career as an opera conductor and gradually extended his repertoire to encompass symphonic music. With a recording catalogue of over 150 releases, Chailly has the longest exclusive recording contract of any living conductor, working with Decca for over 40 years to date.

Works included on the release enable listeners to appreciate Rota’s “chameleon-like” compositional style in full, and hear Chailly, along with the Filarmonica della Scala, expertly explore every subtle detail of Rota’s instrumentation, melodies and rhythms.

Filarmonica della Scala
Riccardo Chailly, conductor

Tracklist:
1. Amarcord - Suite: 1. Danzando nella nebbia (02:05)
2. Amarcord - Suite: 2. La Fogaraccia (03:04)
3. Amarcord - Suite: 3. Lo struscio (05:48)
4. Amarcord - Suite: 4. Le “manine” di primavera (02:36)
5. Otto e mezzo - Suite: 1. Titoli (01:10)
6. Otto e mezzo - Suite: 2. Sogno (Il cimitero) (01:31)
7. Otto e mezzo - Suite: 3. Discesa ai fanghi (02:15)
8. Otto e mezzo - Suite: 4. Lo Sceicco d’Arabia (03:13)
9. Otto e mezzo - Suite: 5. Carlotta’s gallop (02:34)
10. Otto e mezzo - Suite: 6. Passerella d’addio (05:34)
11. La dolce vita - Suite: 1. Titoli - 2. Festoso (01:52)
12. La dolce vita - Suite: 3. Notturno (00:51)
13. La dolce vita - Suite: 4. Via Veneto (00:39)
14. La dolce vita - Suite: 5. Cavallino Canzonetta (01:14)
15. La dolce vita - Suite: 6. Parlami di me (a la Circus) (00:33)
16. La dolce vita - Suite: 7. Parlami di me (02:47)
17. La dolce vita - Suite: 8. Notturno o mattutino (01:03)
18. La dolce vita - Suite: 9. La dolce vita (02:37)
19. Il Casanova di Federico Fellini - Suite sinfonica: 1. O Venezia, Venaga, Venusia (04:31)
20. Il Casanova di Federico Fellini - Suite sinfonica: 2. L’uccello magico (02:34)
21. Il Casanova di Federico Fellini - Suite sinfonica: 3. Intermezzo della mantide religiosa (04:13)
22. Il Casanova di Federico Fellini - Suite sinfonica: 4. The great Mouna (02:17)
23. Il Casanova di Federico Fellini - Suite sinfonica: 5. Il Duca di Württenberg (04:27)
24. Il Casanova di Federico Fellini - Suite sinfonica: 6. La poupée automate (03:36)
25. I Clowns - Suite (13:06)
26. Amarcord (Arr. Ross) (04:26)

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感謝發佈好聽的音樂,好聽的歌曲
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