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Pléïades


Iannis Xenakis is one of the “greats” among 20th-century composers Many of his
works belong to the canon of New Music, as is also true for his work Pléïades for six
percussionists from 1978/79 The 45-minute composition casts a hypnotic spell The
sounds of the instruments appear to combine into overarching forms—so that sometimes
the listener can no longer say where the individual performer stops and the collective
begins The piece is based on the Pleiades, a star cluster in the Milky Way
Our sense of hearing is very fine. It “records” many noises, even the smallest and briefest.
But our brain cannot discern all sounds. In our perception many trees therefore become
a forest, we do not hear individual bees, but instead a swarm when many tiny insects fly
past us Or when many bells ring simultaneously on a Sunday, we hear “the sound of bells
pealing ”
That is what Pléïades is about—about isolated events and swarms Obviously, the point of
transition where individual events blend into a unified whole in our perception is the most
interesting musically Pléïades explores various aspects of this transition Pléïades cannot
be shorter than 45 minutes—for only as time goes by and listeners have perhaps become a
little tired and no longer able to keep track of every detail does the piece unleash its full tonal
“power ” At some point a kind of “resistance” while listening vanishes Then the individual
events in our perception truly mingle, but then, somehow, time also dissolves Listeners
have to abandon themselves and are seduced and hypnotized
Domenico Melchiorre



Iannis Xenakis was born in Romania in 1922 and moved to Greece with his father
in 1932 From 1940 to 1946 he studied civil engineering in Athens While involved in
the resistance movement against the Nazi occupation, he was gravely wounded in the
face, taken prisoner and fled as a political refugee to Paris in 1947.
After an autodidactic phase, he took lessons in composition from Arthur Honegger, Darius
Milhaud and Olivier Messiaen
When he settled in Paris he became assistant to the architect Le Corbusier for 12 years
In 1958 he designed the Philips Pavilion at the Brussels World Exposition. He also used the
hyperbolic curves, in which he designed the pavilion, for his composition Metastaseis, with
which he achieved his breakthrough in the international New Music scene after its world
premiere at the Donaueschinger Musiktage in 1955
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发表于 2019-1-9 08:49:03 | 显示全部楼层
沙发
好资源,我喜欢,感谢分享!
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发表于 2019-1-9 09:21:35 | 显示全部楼层
板凳
银子越来越少了
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发表于 2019-1-9 09:31:50 | 显示全部楼层
地板
链接打不开啊 我的白花花的银子啊
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 楼主| 发表于 2019-1-9 09:36:23 | 显示全部楼层
5#
本帖最后由 张三凬 于 2019-1-9 09:40 编辑
judehu 发表于 2019-1-9 09:31
链接打不开啊 我的白花花的银子啊

稍等,已经修好,请复制不要点击,谢谢。
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发表于 2019-1-9 12:53:32 | 显示全部楼层
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感谢楼主分享!
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发表于 2019-1-10 00:01:34 | 显示全部楼层
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最新专辑要支持一下
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发表于 2019-1-13 10:34:45 | 显示全部楼层
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我喜欢,感谢分享!
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